My artwork
captures the physical evidence of social issues about homelessness in rural
environments by transforming found objects and photographs into sculptural
instillations that evoke the presence of abandoned homes.
My process involves photographing an object or
space in an abandoned area that has a lot of destruction and/or chaos to it, in
my current community of southern Maryland. I then take these photographs and
combine them with found objects, which are usually assumed to be trash or waste.
The items include chairs, wallpaper, dirt, personal documents, desks and other
household items.
The act of collecting these objects and
integrating them with photographs of the areas they were found in allows me to
force the viewer into having a physicalized experience that makes them question
their own location and space, and how or if they should respond. From these
elements I can create a large-scale instillation of multiple layered objects
and photographs that embody the voyeuristic denial that allows most of us to
turn away from the social issues that inhabit this county.
By combining found objects with
photographs of abandoned homes and areas into full scale instillations I can
express my personal struggle towards the carless disregard of the homeless
community.
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